Artist: Femfolio

Femfolio features the work of leading women artists who started the feminist art movement of the 1970s. The portfolio includes 20 prints by different artists in various media, including portfolio box. 12 x 12 inches each. Edition of 60. Published by the Brodsky Center at PAFA, Philadelphia.

Maui: Sugar Plantation

Joyce Kozloff (American b. 1942), "Maui: Sugar Plantation", 2007, digital print with hand lithography, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA, Philadelphia.

Zinc, Mon Amour

June Wayne (American b. 1918), "Zinc, Mon Amour", 2006, digital print, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA, Philadelphia.

Broken Leaf

Nancy Azara (American, 1939–2024), "Broken Leaf", 2007, digital print with pochoir and hand lithography, 12 x 12 inches, edition of 60, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, published by the Brodsky Center at PAFA, Philadelphia.

Douglas John and Ms. Smith

Sylvia Sleigh (Welsh b. 1916), "Douglas John and Ms. Smith", 2007, digital print with hand lithography, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA, Philadelphia.

Identity

Emma Amos (American 1937-2020), "Identity", 2007, digital print with hand lithography, 12 × 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA Philadelphia.

For Magritte

Lauren Ewing (American b. 1946), "For Magritte", 2007, digital print, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA, Philadelphia.

This print is part of the Femfolio, a portfolio comprising 20 different artists who were pivotal to the feminist art movements of the 1960s and ‘70s.

The Band Played On

May Stevens (American b.1924), "The Band Played On", 2007, digital print and hand lithography with gold dusting, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA, Philadelphia.

Toccata

Diane Neumaier (American b. 1946), "Toccata", 2007, digital print with hand lithography, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA, Philadelphia.

I Make Up the Image of My Perfection/I Make Up the Image of My Deformity

Martha Wilson (American b. 1947), "I Make Up the Image of My Perfection/I Make Up the Image of My Deformity", 2007, digital print, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA, Philadelphia.

Blue Hole

Betsy Damon, "Blue Hole", 2007, digital print with hand coloring, 12 x 12 inches, from Femfolio, portfolio of nineteen digital prints (twelve with lithograph, one with pochoir, one with hand coloring, and one with gold dusting) and one lithograph, edition of 60, published by the Brodsky Center at PAFA.

Blue Hole, a spring that was once a source of life to Native Americans along the San Antonio River, is expressively painted on to a map of Texas. The cool blues and yellow greens create an oasis against the desert tones of the map, appearing like living waters bringing life to the dry desert.